Silbergeld, Jerome, and Dora Ching, eds. 2013. “The Ghosts of Patriarchy Past: Family Dynamics and Psycho–Politics in Recent Chinese–Language Cinema”. In The Family Model in Chinese Art and Culture, 373–399. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, and Eugene Wang, eds. 2016. “Trading Places: An Introduction to Zoomorphism and Anthropomorphism in Chinese Art”. In The Zoomorphic Imagination in Chinese Art and Culture, 1–20. Honolulu: University of Hawai’i Press.

Silbergeld, Jerome, and Eugene Wang, eds. 2016. “The Political Animal: Metaphoric Rebellion in Zhao Yong’s Painting of Heavenly Horses”. In The Zoomorphic Imagination in Chinese Art and Culture, 289–340. Honolulu: University of Hawai’i Press.

Silbergeld, Jerome, Willow Weilan Hai, and Rong Jiang, eds. 2017. The Art of the Mountain: Through the Chinese Photographer’s Lens. New York: China Institute in America.

Silbergeld, Jerome, and Luchia Lee, eds. 2015. Zhang Hongtu: Expanding Visions of a Shrinking World. New York and Durham: Queens Museum and Duke University Press.

Silbergeld, Jerome, and Willow Weilan Hai. 2013. Inspired by Dunhuang: Re-Creation in Contemporary Chinese Art. New York: China Institute in America.

Silbergeld, Jerome. 2009. Humanism in China: A Contemporary Record of Photography. New York: China Institute in America.

Silbergeld, Jerome, Dora Ching, and Cary Liu, eds. 2009. Outside In: Chinese X American X Contemporary X Art. Princeton and New Haven: Princeton University Art Museum, Tang Center for East Asian Art, and Yale University Press.

Silbergeld, Jerome. 2007. Zhang Hongtu: The Art of Straddling Boundaries. Taipei and Beijing: Lin and Keng Gallery.

Silbergeld, Jerome. 2000. Zhang Hongtu: An On-Going Painting Project. New York: On-going Publications.

Silbergeld, Jerome, and Eugene Wang, eds. 2016. The Zoomorphic Imagination in Chinese Art and Culture. Honolulu: University of Hawai’i Press.

Silbergeld, Jerome, and Dora Ching, eds. 2013. The Family Model in Chinese Art and Culture. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, Dora Ching, Judith Smith, and Alfreda Murck, eds. 2011. Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong. 2 vol. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, and Dora Ching, eds. 2010. ARTiculations: Undefining Chinese Contemporary Art. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, and Dora Ching, eds. 2005. Persistence/Transformation:/Text/As/Image/in/the/Art/of/Xu/Bing. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome. 2008. Body in Question: Image and Illusion in Two Chinese Films by Director Jiang Wen. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome. 2004. Hitchcock With a Chinese Face: Cinematic Doubles, Oedipal Triangles, and China’s Moral Voice. Seattle and London: University of Washington Press.

Silbergeld, Jerome. 1999. China Into Film: Frames of Reference in Contemporary Chinese Cinema. London: Reaktion Books.

Silbergeld, Jerome, and Gong Jisui. 1993. Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng. Seattle and London: University of Washington Press.

Feian, Yu, Jerome Silbergeld, and Amy McNair. 1988. Chinese Painting Colors: Studies on Their Selection, Preparation, and Application in Traditional and Modern Times. Hong Kong and Seattle: Hong Kong University Press and University of Washington Press.

Silbergeld, Jerome. 1987. Mind Landscapes: The Paintings of C. C. Wang. Seattle: The Henry Art Gallery and University of Washington Press.

Silbergeld, Jerome, trans. 2020. Chinese-Language Translation, 中国画之风格：媒材技法与形式原理. Classic Masterpieces of Chinese Painting Studies. Beijing: Peking University Press.

Silbergeld, Jerome. 1982. Chinese Painting Style: Media, Methods, and Principles of Form. Seattle: University of Washington Press.