Silbergeld, Jerome, trans. 2020. Chinese-Language Translation, 中国画之风格：媒材技法与形式原理. Classic Masterpieces of Chinese Painting Studies. Beijing: Peking University Press.

Silbergeld, Jerome. 2008. Body in Question: Image and Illusion in Two Chinese Films by Director Jiang Wen. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome. 2004. Hitchcock With a Chinese Face: Cinematic Doubles, Oedipal Triangles, and China’s Moral Voice. Seattle and London: University of Washington Press.

Silbergeld, Jerome. 1999. China Into Film: Frames of Reference in Contemporary Chinese Cinema. London: Reaktion Books.

Silbergeld, Jerome, and Gong Jisui. 1993. Contradictions: Artistic Life, the Socialist State, and the Chinese Painter Li Huasheng. Seattle and London: University of Washington Press.

Feian, Yu, Jerome Silbergeld, and Amy McNair. 1988. Chinese Painting Colors: Studies on Their Selection, Preparation, and Application in Traditional and Modern Times. Hong Kong and Seattle: Hong Kong University Press and University of Washington Press.

Silbergeld, Jerome. 1987. Mind Landscapes: The Paintings of C. C. Wang. Seattle: The Henry Art Gallery and University of Washington Press.

Silbergeld, Jerome. 1982. Chinese Painting Style: Media, Methods, and Principles of Form. Seattle: University of Washington Press.

Silbergeld, Jerome, and Eugene Wang, eds. 2016. The Zoomorphic Imagination in Chinese Art and Culture. Honolulu: University of Hawai’i Press.

Silbergeld, Jerome, and Dora Ching, eds. 2013. The Family Model in Chinese Art and Culture. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, Dora Ching, Judith Smith, and Alfreda Murck, eds. 2011. Bridges to Heaven: Essays on East Asian Art in Honor of Professor Wen C. Fong. 2 vol. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, and Dora Ching, eds. 2010. ARTiculations: Undefining Chinese Contemporary Art. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, and Dora Ching, eds. 2005. Persistence/Transformation:/Text/As/Image/in/the/Art/of/Xu/Bing. Princeton: Tang Center for East Asian Art and Princeton University Press.

Ching, Dora, ed. 2021. “Dunhuang’s Contribution to Chinese Art History: A Historiographic Inquiry”. In Visualizing Dunhuang, 9:286–351. Princeton: Tang Center for East Asian Art and Princeton University Press.

Hung, Wu, and Guo Weiqi, eds. 2020. “何所来，何所去?—中国艺术史的过去与未来 (‘Where Did We Come From? Where Are We Going? Chinese Art History’s Past and Future’), Discussion With Wu Hung, Et.Al.”. In 世界3：海外中国艺术史研究 (The World 3: Research on Chinese Art History: A Western Perspective), 234–267. Shanghai: Shanghai renmin chubanshe.

Kuo, Jason, ed. 2020. “Michael Sullivan and His Study of Modern and Contemporary Chinese Painting, (revised)”. In Chinese Calligraphy and Painting Studies in Postwar America: New Perspectives, 187–207. Washington, D.C.: New Academia.

Saussy, Haun, ed. 2018. “The Chinese Garden As an Intellectual Enterprise”. In Texts and Transformations: Festshrift for Victor H. Mair, 219–238. Amherst NY: Cambria Press.

Powers, Martin, and Katherine Tsiang, eds. 2016. “On the Origins of Literati Painting in the Song Dynasty”. In Companion to Chinese Art, 474–498. Malden, MA, Oxford, and Chichester: Wiley–Blackwell.

Silbergeld, Jerome, and Eugene Wang, eds. 2016. “Trading Places: An Introduction to Zoomorphism and Anthropomorphism in Chinese Art”. In The Zoomorphic Imagination in Chinese Art and Culture, 1–20. Honolulu: University of Hawai’i Press.

Silbergeld, Jerome, and Eugene Wang, eds. 2016. “The Political Animal: Metaphoric Rebellion in Zhao Yong’s Painting of Heavenly Horses”. In The Zoomorphic Imagination in Chinese Art and Culture, 289–340. Honolulu: University of Hawai’i Press.

Fong, Wen. 2015. “Calligraphy, Painting, and Sculpture Are One, But Sometimes Two or Three”. In Art As History: Calligraphy and Painting As One, 1–17. Princeton: Tang Center for East Asian Art and Princeton University Press.

Fong, Wen. 2015. “Art and History: Zhang Daqian, In and Out of the Twentieth Century”. In Art and History: Zhang Daqian, In and Out of the Twentieth Century, 283–422. Princeton: Tang Center for East Asian Art and Princeton University Press.

Silbergeld, Jerome, and Dora Ching, eds. 2013. “The Ghosts of Patriarchy Past: Family Dynamics and Psycho–Politics in Recent Chinese–Language Cinema”. In The Family Model in Chinese Art and Culture, 373–399. Princeton: Tang Center for East Asian Art and Princeton University Press.

Hongdae, Kim, ed. 2013. “서양 중국회 화 사연구 톡 론 (‘A Study of Western Research on the History of Chinese Painting’)”. In 중국미술사연구 입문 (Introduction to Research on Chinese Art History), 270–370. Paju, Korea: Han’guk haksul chŏngbo.

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“The Political Landscapes of Kung Hsien, in Painting and Poetry”. 1976. Journal of the Institute of Chinese Studies, no. 8.2: 561–574.

Silbergeld, Jerome, Willow Weilan Hai, and Rong Jiang, eds. 2017. The Art of the Mountain: Through the Chinese Photographer’s Lens. New York: China Institute in America.

Silbergeld, Jerome, and Luchia Lee, eds. 2015. Zhang Hongtu: Expanding Visions of a Shrinking World. New York and Durham: Queens Museum and Duke University Press.

Silbergeld, Jerome, and Willow Weilan Hai. 2013. Inspired by Dunhuang: Re-Creation in Contemporary Chinese Art. New York: China Institute in America.

Silbergeld, Jerome. 2009. Humanism in China: A Contemporary Record of Photography. New York: China Institute in America.

Silbergeld, Jerome, Dora Ching, and Cary Liu, eds. 2009. Outside In: Chinese X American X Contemporary X Art. Princeton and New Haven: Princeton University Art Museum, Tang Center for East Asian Art, and Yale University Press.

Silbergeld, Jerome. 2007. Zhang Hongtu: The Art of Straddling Boundaries. Taipei and Beijing: Lin and Keng Gallery.

Silbergeld, Jerome. 2000. Zhang Hongtu: An On-Going Painting Project. New York: On-going Publications.